My apologies for a long silence. I have
at last begun working in earnest, and so have much less energy at the
end of the day for writing and thinking than I used to. Will try to
get back into the habit of posting!
Teaching began with my ultimate
nightmare. I had been waiting for weeks to hear from the Arts
Department about when I would start teaching, so when walking home
from my internship I got a call from the University asking me if I
could meet in 20 minutes to discuss my class, I was delighted and
went straight there. The professor in charge of my class greeted me
with bright smile and said 'Hello! Your students are waiting!' I
explained that I didn't know I was teaching today, so didn't have a
lesson prepared and couldn't teach. He assured me that was ok, and
that I should come teach anyway. So, during the three minute walk to
my classroom I frantically made up some discussion questions, and
bumbled through half an hour of awkward question and answer with my
students, hoping the heat in the room masked my nervous sweating.
To their credit, my students seem to
have thoroughly forgiven me for such a rough beginning. I teach three
English classes now. Two with Arts student (Arts as in humanities,
not fine arts), and one with Sciences students. I love teaching –
to me it is a balance of play and performance. Being interesting
enough to keep them engaged while I talk, but more importantly, to
keep them talking. The more I teach, the more I realize it is the job
of the teacher to ask questions, not provide answers. We play games.
We write stories. We use new grammar concepts to imagine the distant
future, or plan the ultimate Valentine's day date. My students are
delightful. They are willing to play and take risks, and when they
see me outside of class they greet me with huge smiles, and come up
to talk.
While I have definitely improved my teaching since that first class, the sweating remains a constant. I sweat through my clothes in the first 5 minutes of the unairconditioned class. Even the students occasionally delicately dab at themselves with handkerchiefs, and you know if the Sri Lanks are sweating, it is hot indeed. On breaks, I shiver damply in the air conditioned teachers lounge. When I get back home, my dear partner Jonathan hugs me at arm's length and steers me directly into the shower.
While I have definitely improved my teaching since that first class, the sweating remains a constant. I sweat through my clothes in the first 5 minutes of the unairconditioned class. Even the students occasionally delicately dab at themselves with handkerchiefs, and you know if the Sri Lanks are sweating, it is hot indeed. On breaks, I shiver damply in the air conditioned teachers lounge. When I get back home, my dear partner Jonathan hugs me at arm's length and steers me directly into the shower.
I am learning a lot about Sri Lanka
through my students. When I walk from the Arts Faculty to the Science
Faculty it is like crossing into a different world – my students
are vastly different in their levels of English and their cultural
backgrounds. Somehow they even look different. I am in the slightly
awkward position of teaching students who are uniformly my age or
older – but in the arts faculty I feel like I am teaching children.
I would peg most of my students as being in their mid teens, while in
the Sciences I am keenly aware of my younger age. My arts class, as
one might fear, is made up of 90% girls, while in my science class
the gender ratio is reversed. I initially wondered if the difference
in confidence between the classes came from Sri Lankan gender roles,
but there is more to it than that. The few girls in the Sciences
class move with a languid confidence that matches their male peers,
and if forced to guess their age from afar I would do so with a lot
more accuracy than I would for my girls in the Arts.
Through my students, I believe I am
seeing class differentials in Sri Lanka. STEM subjects are taught in
English here, so my Sciences students are quite proficient. They are
looking for practice with a native speaker, and work related
vocabulary to use in the job hunts they are about to embark on. My
arts students on the other hand are taught in Sinhala, and, in the
beginning anyway, would blush and look away in response to simple
questions like how was their weekend. When I ask about their families
they talk about farmer fathers and housewife mothers, and homes far
away. They want to be teachers. My Sciences 'kids' (such as they are)
grew up close to Colombo, if not within it, many of them I think
speaking English with their families. They will be managers and
engineers, and many will seek jobs or graduate education abroad. I
wonder how possible it is for a bright rural kid with low English
background to study Sciences at the University of Colombo. The
subject alone is difficult enough, but to study it in a language you
barely speak seems almost impossible. Many of the privileged Sri
Lankans I met back in the US spoke of the days when English was a
Lingua franca with great nostalgia. They told me you didn't know if
someone was Sinhalese or Tamil back then – everyone spoke English.
And perhaps it is true you couldn't know someone's ethnicity from
language, but I think you did know their Class. And this distinction
of class between the English speaking and the non-English speaking
world in Sri Lanka I think holds true today.
(Some unrelated good news for anyone
who hasn't heard. I was accepted into New York University's Master of
Social Work program last week! I even got a decent scholarship, so I
should be able to afford it with only somewhat crippling debt. I'm
still waiting to hear from Columbia University, but I'm quite excited
to know that I'll be living in New York next year!)
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